From 10 to 14 March 2021, the Cultural and Education Section of the British Embassy in Moscow invites culture industry professionals and everyone interested in discussing the future of the cultural sector to take part in the UK-Russia Creative Bridge forum online.
Fergus Linehan offered insights on the development of the Edinburgh International Festival’s programmes and discussed EIF’s experience of collaboration with Russian cultural institutions.
Panel discussion with Geoffrey Marsh, Kate Bailey (V&A) and Tatiana Getman (Tretyakov Gallery)
Simon Reynolds will talk about the era chronicled in his classic 2005 book Rip It Up and Start Again and will discuss the subsequent legacy and ongoing reverberations of postpunk.
Application closed. International Co-commissions and Co-productions. Practical course for producers and cultural professionals as part of the UK-Russia Creative Bridge Forum.
Application closed! Three-day intensive workshop designed for creative producers undertaking cross-artform work to help them explore how they develop their creative ideas.
Ellen O’Hara, Jim Galloway, Nikita Tokarev, Alexey Onatsko, Natalia Fishman, Natalia Fishman-Bekmambetova and Ekaterina Cherkes-Zade
The conversation on industry insights, current trends in British cinema, and Sarah Gavron’s film “Rocks”.
Chief curator of Garage Museum of Contemporary Art art director of FutureEverything discussed current trends and challenges in the visual arts sector.
Learning company repertoire and using the AI tool to develop material and gain an insight into Wayne’s creative practice.
UK-Russia Creative Bridge forum featured practical creative writing workshops and a lecture for everyone interested in exploring their creativity.
The talk featured Pelin Opcin, Director of Programming at Serious, and was followed by the concert of the new jazz Shabaka Hutchings and Britten Sinfonia chamber music orchestra.
The renowned dancer and choreographer talked about his upcoming collaboration with English National Ballet and how his dance piece Kaash was adapted for the Russian stage.